Experiencing the Tea Culture and Aesthetic Wisdom of Kyoto

Trace the hospitality and craftsmanship in tea culture

Kneading clay, drawing water, gathering straw, and lighting a fire: these are acts that go beyond the human touch, where the wish is for the materials to be beautifully transformed.

Asahi-yaki, established about 400 years ago and recognized as one of the Enshu Seven Kilns, has been prized for its tea-gathering utensils like tea bowls and water jars, esteemed by nobles, aristocrats, and tea connoisseurs.

The kilns and tea gardens, nurtured by the gifts of the Uji River, continue to cherish and pass down skills, spiritual values, and aesthetics within their community and families.

This journey starts with the simple act of serving tea, where the host's carefully chosen vessel and the gently warmed tea leaves enrich and color the conversation over time.

It contrasts with the often hurried pace of modern life, highlighting the overlooked value of time and effort.

The distinct flavors of matcha, sencha, and gyokuro encountered in various locales tell a story of layered creativity and craftsmanship, inviting you to savor the richness of each moment as envisioned by the artisans and hosts.

This experience is an invitation to connect with every moment's fleeting, yet profound richness, as conveyed by the creators and hosts.

Features 1
Tea Culture and Spirituality Refined Through the Ages

On the banks of the Uji River, surrounded by both tangible and intangible aspects of Japanese culture, the cherished and nurtured pottery of Uji is created.
Here, artisans continue to refine their skills and knowledge, some passed down for about 400 years, and the fire in their kilns, preparing to hand them over to the next generation.

Features 2
Innovation from Uncompromising Effort

The deep commitment of a host to sincerely entertain their guests has been the driving force behind continuous creative innovations for 'just one cup of tea.' It is this thoughtful consideration for others that leads to pleasantly exceeding expectations. In this, we find a philosophy of work where innovation continuously springs from the desire to thoughtfully surpass and delight.

Features 3
Listening to the Invisible Voices

Amidst all the wandering and changes, the real question remains: are we staying true to what's naturally authentic? How do we, as humans, bring this essence forward? Through pottery and tea leaves, exploring the relationship between the creators and their materials, you'll feel the silent yet profound strength that underlies the process of making.

Features 4
Learning to instinctively appreciate the beauty in flavors and forms.

Contemplating the art of smoking tea leaves that are harvested just once a year and engaging with the climbing kiln, which is lit only two to three times annually, requires a deep harmony between people, their tools, and nature. Every step of the process unites human intuition with the natural world. In the craftsman's workshop, there's a tangible sense of intelligence that emerges from a blend of physicality and sensitivity.

Features 5
Discovering the Depth and Significance of a Single Serving of Tea

Matcha is delicately prepared in a bowl thoughtfully chosen for the guest, and paired with seasonal sweets. This engagement transcends the five senses, allowing you to appreciate the unique taste differences between a vessel selected by your host and one you're drawn to, and experience the subtle nuances influenced by the ambience and personal experiences in Kyoto and Uji.

Experts

Dairiku Amae

Totousha/Tea master

Our cultural expert began his practice in Japanese Tea Ceremony at the age of 19, and has a background in Japanese architecture as well as in design. Over the years he has lived in multiple countries including Korea, Russia, the U.S., Syria and Ukraine, and now calls Kyoto home.

Hosai Matsubayashi

Asahiyaki XVI

Ceramic artist Hosai Matsubayashi was born in Uji, Kyoto to a family with over 400 years of history in Asahi-yaki Kiln. After learning the rokuro (potter’s wheel) in Kyoto, he apprenticed under his father and engaged in ceramic production at the Leach Kiln in St. Ives, England, before assuming the name Hosai XVI. Using the clay passed down through generations, he mainly produces tea ceremony ceramics, including the traditional works of Kase (literally, “fawn back”) and Beni-Kase (“red fawn back”), as well as his own style of Geppaku (“moon white”) overglaze, and is expanding his activity overseas as well.

Toshiyuki Matsubayashi

Owner of Asahiyaki Shop & Gallery

Toshiyuki graduated from Tama Art University, Department of Glass Art. He joined Asahiyaki after working as a designer at an architectural glass design company. In 2016, his older brother Yusuke took over the name Hosai, the 16th head of Asahiyaki. Due to the store relocation in 2017, Toshiyuki was in charge of the project for the new store "Asahiyaki Shop & Gallery". Currently, he is the owner of "Asahiyaki Shop & Gallery" and is responsible for management and public relations, as well as product and exhibition planning of Asahiyaki.

Participant Feedback

Japanese culture is an important part of my life. The tableware I use every day, the magazines I read, and the clothes I wear, also an source of creative energy for me. As soon as I saw the schedule, I immediately scheduled all my work so that I could fully feel and receive the message the team wanted to convey during this trip. The biggest gain from this trip is that core values cannot be seen from the surface alone, so we need time to taste, and also need stories. I can feel that the arrangement of every person, thing, and thing in the itinerary has its connection and reason.
Janet Chen(Jue-Ning Chen)|from Taiwan
SANYO+SANIN, Co-Founder(Curator)
Whilst most of us aren't directly exposed to war like the bush in sengoku jidai were, we do live in highly unstable, turbulent times and, perhaps like the samurai, we are desperate for peace, calm and presence. In the age of smartphones, being present is something we're in the process of losing. Note the search for mindfulness - meditation, etc.
Victor Vorski|from Portugal
Gathering Of Tribes, Stealth Startup
I expected to co-create a little bit more together! I would be highly interested in developing a program with Release which fosters collaborations between Japanese craftsmanship and new technologies/design. Furthermore I would like to make a project with a Japanese silk and fabric manufacture. I already sent Sachi my proposal and I am happy to send it also to you! That could be a first "trial" to make a collaboration between a European designer and Japanese Craftsmanship happen!
Juni Sun Neyenhuys|from Germany
mujo, Co-Founder CPO(Designer)
2023年4月XX日

京都の工藝をめぐる「漆」編、参加申し込みスタート!

もし今回ならではの魅力があれば入れる。
宿泊施設・食事は変わるだろう。詳細はENTRY先(Peatix)のページで。
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/Membership

Members of in InterConnected Arts/Japan will receive information about tours before they are open to the public.
We also offer a video sharing the making process of the trip, as well as a call for member-only monitoring tours.
If you are interested in becoming a member, please register here.

*The membership program is currently at capacity.
We will continue to work with our journey collaborators to open up to more participants.
If you are interested you can join the waiting list.

Member Registration (FREE)